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Music
Taking a step aside
Elita
Karim
The Geetanjali music store
on level 6 of Basundhara City was crowded with music lovers
and fans eagerly waiting for autographs on their copies of
Krittodasher Nirbaan, Tahsan's second solo album, released on
Christmas under the G-series banner and sponsored by
Pepsi.
Tahsan has been described as a romantic, a
dreamer who has put a bit of his spiritualism and mysticism in
every track. Not only is he a talented composer, singer and
keyboard player, Tahsan Rahman Khan is now very popular for
his role in Kaacher Manush, a serial on ntv. Having appeared
on a television advertisement a while ago, he is also known as
the 'cool' TV anchor along with Kushum Shikdar on the Lux
Photogenic Contest.
Tahsan was working on Krittodasher Nirbaan
for some time now. While the lyrics and the basic compositions
were made immediately after the release of his first album
Kothopokothon, he had begun the arrangements on his
instruments only six months ago.
There are obvious differences in this album
compared to the first one. For instance, the pure acoustic
sound that has been used, besides the fact that Tahsan has
made an extra effort to experiment with new sounds, ideas and
vocals.
Out of the 12 tracks in the album, music
lovers would probably be attracted to Shosta Khob, Kichukhon,
Chander Haat, Sroter Sheshe and Ayna. Listeners will be
thrilled to experience Tahsan's acoustic piano, flute by
Zubaer (Shosta Khob) and Guitars by Russel (Krittodasher
Nirbaan and Chayar Shorir). The album was recorded, mixed and
mastered by GM Zooel.
Tahsan informs that Chander Haat, track 9, is
probably one number from the album, lingering within him even
now. "It was truly a challenge singing this number," he says.
"This song has been composed in four scales and I had a lot of
fun singing it."
Shosta Khob, track 2 in the list, is a
soothing number where Tahsan mingles the melodies of Zubaer's
flute and acoustic guitars. His voice stretches out right in
the end mixing with the harmony. The flute piece, very small
yet heart-warming, leaves the listeners asking for more.
Tahsan has been trained in music at
Chayyanaut and has had an exposure to traditional instruments
and compositions as a young boy. This is apparent in
Nirannoboy, track 6 of the album, where sounds of the tabla
and other classical instruments have been used. His voice has
also taken on a deep, throaty texture, which compliments the
arrangement and the composition of the particular number.
Something which is very much obvious in this
album is Tahsan's ability to experiment with elements of music
and a variety of ideas, thus having the listener getting the
feel of his emotions in every number. For instance, his
Ekattor, track 8, is about the liberation war and the
atrocities that the people of this country had to go through
to win their freedom.
A graduate from IBA, Tahsan is now a student
of the MBA programme in IBA. However, he plans to go abroad
and study Sound Engineering. "Sound quality is extremely
significant to any musician," he explains. "The Late Mobin
bhai had a vast knowledge on sound engineering and how to deal
with sound quality. I probably would not be able to be as good
as him, but he has surely inspired me enough to take the
step."
Tahsan plays the keys and sings with the band
Black. How is his solo career going to make an impact on his
'band identity'? "Every musician has his or her own identity
within and undoubtedly I along with the others in the band,
make up Black," he says. "However, I also have ideas quite
different and diversified as compared to Black as a musical
genre. My solo projects are merely explorations of the inner
creativity and dimensions of music that I have within me. I
don't think it would make a major impact on my 'band profile'
whatsoever."
Clearly, Krittodasher Nirbaan is a small
compilation of Tahsan's thoughts and his reflections of life.
Heavily influenced by Coldplay and Sting during the making of
this album he remarks "We all believe in evolution of some
kind or the other. I believe in the evolution of the soul.
Most of my compositions have been based on this philosophy,"
he says with his boyish smile.
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2005 |